OBLIQUE‘ | CYCLE 1 | ATTRACTEUR ÉTRANGE | VAHRAM ZARYAN

Compagnie Vahram Zaryan avec Ensemble Regards

PERFORMANCE - MUSIQUE CONTEMPORAINE

Librement inspiré de poèmes de Frédéric PARCHEMINIER

Oblique Cycle 1  est une œuvre  essentiellement  performative et sonore. 

A l’origine du projet, Vahram Zaryan, chorégraphe et performer, a proposé à un groupe d’artistes le thème de l’ « Oblique ». Frédéric Parcheminier  a alors écrit  les textes, Vincent Trollet une  musique originale pour un accordéon à  quarts de ton avec dispositif électroacoustique. Vahram Zaryan en collaboration avec le compositeur Vincent Trollet ont mis en scène un quatuor composé de deux musiciens, d’un performer et un   acrobate aérien.

La performance Oblique Cycle 1 nous invite à parcourir un chemin intérieur : l’idée fixe, le trouble et la tentation. Sur la scène, leurs inclinations et déséquilibres provoquent une cohabitation inattendue : attracteur étrange, oblique sensible, aller, le bal des ondes. Ainsi, le corps, le son et les mots, s’associent et se rencontrent pour faire  naître un dialogue entre les arts.

La Compagnie Vahram Zaryan crée des spectacles de mime contemporain et des performances en France et à l’étranger. L’Ensemble Regards est un ensemble de musique contemporaine. Oblique Cycle 1, soutenu par Est Nova Production, est le fruit du rapprochement de ces deux structures avec une préoccupation commune, la recherche et  la création interdisciplinaire. 

DISTRIBUTION :

Musique: Vincent TROLLET

Mise en scène et scénographie: Vahram ZARYAN

Informatique musicale: Hiromi WATANABE

Vidéo: Auguste DIAZ

Lumière: Loïc SAMSON

Conseil dramaturgique : Laurent MUHLEISEN

Avec: Pauline NADOULEK,  Jérôme AUBERT (acrobates aériens),  Vahram ZARYAN  (performer,  mime  contemporain) Jean-Etienne SOTTY (musicien, accordéoniste), Hiromi WATANABE (musicienne, électro-acoustique)

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VAHRAM ZARYAN PERFORMANCE ARTIST | NON MIME

                                                                                                             Vahram Zaryan

<Non-mime> is a contemporarymime movement, process of research occuring in the creations of <Vahram Zaryan> theatrical group, <Vahram Zaryan Company>. Transdisciplinary mime performances are created with the artists belonging to different mime schools denying the traditional pantomime. The performances include various types of art (theatre, video, reading, applied art). The loss of body becomes apparent in the performance. In this case, does the body dynamique disappear? Does the presence of body end as an essential element in the performance? If it is so, is our perseption on mime lost?
Nowadays contemporary pantomime is no longer the one we used to know.  
The existence of <non-pantomime> is resumed in the perseption of the main essence of pantomime, its source and evolvement, in rising questions upon them.
Such evolvements have occurred in other fields, as well, radically going further form the traditional ones.

                                                                                                                        Vahram Zaryan

‘Body is not the only tool’

No longer concentrating on only the aestetique and visual material of the body, it is attemped to get rid of it, working on the meaning and depth, in which case the very aestetique and visual perception to body is back in another form.
This situation is persived more profoundly and vividly, as it includes not only the questions of time and essence unpersivable with the naked eye.  
Nevertheless, body does not oppose the soul. Body is not considered as a tool to serve the soul. It is no longer a fortress of the primary aim to connect it to the environment.
Nowadays a contemporary artist should no longer be persived as a lonely <wall> opposing the world with its closed and nice performance.

<Non-mime> is an existence in space

                                                                                                                                 
Pantomime performance is no longer a platform to show dynamique actions, where the impressive body images and dynamiques  are over-valuated.
Firstly, mime is a means to create and display the emotional disagreements between the artist and the society.
<Non-mime> movement is no longer expected, and allows to persive the meaningful action born in a certain area chosen by the artist, let it be stage, square or street.
Pantomime is an evolving art necessary in our noisy and <talkative> lifestyle.